I love Donna Summer. Her voice was amazing. I would go so far as to call her one of the greatest vocalists of all-time.
From 1968 to 1973 Donna Summer found success as an actress/singer in stage musicals in Europe, primarily Germany. 1975 rolled around and she lit the disco world on fire with her #1 Dance Hit, "Love To Love You Baby."
The rest is history. Donna ended up with thirty one #1 Dance Hits in the US.
25. Bad Girls (1979)
Parent Album: Bad Girls
"Toot, toot, hey beep, beep" people on dancefloors around the world uttered those words as they grooved feverishly to the rhythms of this mega #1 hit. That became the catch phrase in discos around the world in 1979.
My interpretation when I read the lyrics is that Donna was saying, these women out at night, who are pulling tricks, are the same as you and me. They're people also with a family that cares for them. They're human beings. Donna wrote this song from a view of compassion. That's what I appreciated most about her, that she was a human being with heart.
24. Cats Without Claws (1984)
Parent Album: Cats Without Claws
Initially I overlooked this song from the album. I bought the album which is titled, "Cats Without Claws," what it was first released. It was the album cover that Drew me in. I really like that cover photo. I thought Donna looked great. The first song I played from the album was "There Goes My Baby," because it was a remake of a favorite song by The Drifters. I liked what I heard, Donna did a good job with the song. From there I went to the beginning of the album and took a listen to the opening track, "Supernatural Love," and though it was a good song it lacked the energy and excitement I look for in a Donna Summer song, so I put the album away and forgot about it. In the year 2003 I began a big project of transferring some of my vinyl albums over to CD. "Cats Without Claws" it was one such album. As I listened to "It's Not The Way" and "Suzanna," I thought, "Why didn't I dig deeper into this album back in 1984?" Than came the title track, "Cats Without Claws," and I loved it. I loved it so much that I had to play it a second and third time. This is classic Donna Summer. The keyboards and synthesizer drive the song behind a gutsy forward lead vocal by Donna.
Interestingly, there's a good bit of symbolism in the lyrics and to a degree a spiritual bend.
23. Cry of a Waking Heart (1991)
Parent Album: Mistaken Identity
"Mistaken Identity" introduced an Urban style which leaned more on R&B than any of her previous albums. She even dabbled a bit with a newer genre, at the time, New Jack Swing.
"Cry of a Waking Heart" is a yearning and soulful ballad which takes advantage of Donna's full vocal range to great effect.
This one should have been released as a single, at the very least it would have climbed up the Adult Contemporary and R&B charts.
22. Cold Love (1980)
Parent Album: The Wanderer
With her "Bad Girls" album Donna decidedly introduced a harder edge with aggressive guitars on songs such as "Hot Stuff" and "Walk Away." Donna continued her foray into rock music with her album "The Wanderer," "Cold Love" is one such track. As a matter of fact "Cold Love" was nominated for a Grammy Award in the Best Rock Vocal Performance, Female category. Pat Benatar won the award that year for her song "Fire and Ice."
A few tidbits... Bill Champlin was one of the backing singers on "Cold Love," he was a member of Chicago from 1981 to 2009. Champlin sang lead vocals on "Look Away" which was a #1 hit for Chicago in 1988. Keith Forsey's drums open the song with a sharp and crisp ear-catching beat. While for me it's the aggressive guitar work that puts the song over the top.
21. Journey To The Center of Your Heart (1979)
Parent Album: Bad Girls
I first heard this song as the b-side to "Hot Stuff" and for a second I favored it over the a-side.
Right from the opening guitar and deep bass synthesizer I was hooked. This song is loaded with tons of trippy guitar which is a treat for me as I am a huge fan of the guitar. The song is rock and it's disco and it's rock again. Gary Herbig kills it with uptown silky brasstoned saxophone sounds.
But the dream of the song is Donna's powerful lead vocal. She ties it all together. Donna is a singer's sing and she proves it here. Her voice is deep with rich tone like that o the finest big band vocalist such as Ella Fitzgerald and powerfully gospel tinged as Aretha Franklin. All the while hitting a hard rock sensibility which challenges the best. Pat Benatar and Heart's Ann Wilson had to have taken notice.
The song is all around a winner and was played in discos all around the world.
20. Mr. Music (2008)
Parent Album: Crayons
I was thrilled when Donna's "Crayons" album was released. It was her first all studio slbum released in 12 years and realistically her first of all new material since 1991. I was not expecting this. I came across it while looking at new releases on Amazon. As a matter I would say it completes for being my favorite Donna Summer album alongside "Bad Girls."
The song is simply catchy and has a good feel to it. The lyrics are superficial, "I got my ipod, shake my body," but that's all right not every lyric has to be deep and provoking, sometimes we can just have fun.
19. I Will Go With You (1999)
Parent Album: Live and More Encore
During her later years Donna would pop up unexpectedly with a new single or other release from time to time. I saw "Live and More Encore" at a Circuit Cty store but passed on it because I've never been hot on live albums. But the following week I went back and bought it, when I found out there were two new studio tracks on the album. All of a sudden I had to have it.
"I Will Go With You" had previously been a hit for Andreas Bocelli and Sarah Brightman. Donna summer took the song and gave it some teeth without forfeiting the songs romanticism.
At the age of 50 Donna's voice was stronger than ever and her influence was still top of the charts. "I Wll Go Wiyh You" reached #1 on the Dance Music charts and earned a Grammy Award nomination in the Best Dance Recording category. Madonna's "Ray of Light" won the award that year.
18. She Works Hard For The Money (1983)
Parent Album: She Works Hard For The Money
Definitely a Donna Summer classic. This song is a tribute to working women everywhere. After the 1983 Grammy Awards she went to an after party at Chasens Restaurant, in Beverly Hills. Donna escaped to use the restroom and saw the attendant, Onetta Johndon, sleeping. Onetta woke up startled and told Donna that she was exhausted because she works two jobs. At that moment Donna thought that this woman really works hard for her money. Not wanting to lose her thoughts Donna took some toilet paper and wrote her ideas down. When she made it home that night she wrote the song in 20 minutes, all the time keeping Onetta in mind. Onetta appears on the back cover of the album.
17. No More Tears (Enough is Enough (1979)
Parent Album: On The Radio: Greatest Hits Volumes I & II (Donna Summer) and Wet (Barbra Streisand)
When you pair two of the biggest stars in music history you're going to end up with a super mega-hit or a collosal flop. Fortunately, for Donna Summer and Barbra Streisand this song was a mega-hit sailing to #1 in the US and Sweden and made into the top 5 in numerous countries around the world.
It was Paul Jabara that teamed Barbra Streisand with Donna Summer after she (Streisand) hit it big with Jabara's disco song "The Main Event." Streisand proved she could handle a disco song as well as anybody in the business. The blending of their voices was a success. It's as if they were born to sing together. Equally yoked in vocal power and range. One did not overpower the other - they complimented each other perfectly. Too bad they never recorded anything else together.
16. Working The Midnight Shift (1977)
Parent Album: Once Upon A Time
I have always considered this to be a partner song to "She Works Hard For The Money." Musically the songs are very different from each other. "She Works Hard For The Money" is an 80s pop-dance tune. While "Working The Midnight Shift" is a 1970s deep disco/deep house composition. The connection comes lyrically. In "She Works Hard For The Money" Donna sings about a lady who works hard to make ends meets, "It's a sacrafice working day to day." With "Working The Midnight Shift," Donna speaks in the first person as she sings, "I'm just a working girl, just earning a living."
"Working The Midnight Shift" was one of the highlight tracks of the album "Once Upon A Time" and received heavy rotation in discos and night clubs across the US and Europe.
15. With Your Love (1978)
Parent Album: Thank God It's Friday (Soundtrack)
One of Donna's hottest disco songs. I discovered it as the b-side of Donna's mega-hit "Last Dance." The song was strong enough, it could have been an a-side single itself. The song was a favorite in dance clubs everywhere.
With it's screaming synthesizers, repetitive electronic rhythm and Donna's breezy vocals, "With You Love," is in a similar style as "I Feel Love" and would have been that trendsetting song had it been released first.
14. It's Only Love (2008)
Parent Album: Crayons
In most media "It's Only Love" is listed as a track on Donna's last album "Crayons," when in reality the song was a bonus track on International and Exclusive Edition releases of the album. The song for some reason was not rwleaswd on US wditions of the album except as a bonus track on an Exclusive edition sold only through Circuit City.
In the song Donna sing the lyric "Take me on a journey to the bottom of your soul," which is taken from her 1979 song "Journey To The Center of Your Heart," in which she says, "Take me on a journey, on a journey to the bottom of your soul." This is one of the few times I'm aware of Donna borrowing from any of her earlier songs.
"It's Only Love" is a deep cut, Euro disco, EDM, progressive house. The electronics on the song are as intense and moving as on "I Feel Love." "It's Only Love" was one of the hottest singles released in 2008. The song should have topped the charts - but actually failed to chart all together. I'm not sure what happened. Maybe it was a lack of promotion from the record company. The song was very much in touch with what was going on with Electronic Dance Music in 2008. In my professional viewpoint Donna was, once again, way ahead of her time.
13. Dim All The Lights (1979)
Parent Album: Bad Girls
This was Donna's song. She wrote this one alone - the lyrics, melody, music. She originally wrote the song as a ballad and intended on giving it to Rod Stewart, but at the last minute decided to record the song herself. She upped the tempo when she was in the studio, turning it into a ballad which transitions to disco.
Donna does a live version of "Dim All The Lights" on her 1999 album "Live & More: Encore" in which she sings the song the way she envisioned Rod Stewart would have done it.
12. Sunset People (1979)
Parent Album: Bad Girls
A friend of mine played this song for me in the summer of 1979. By this time I was well on my way to becoming a full-fledge Donna Summer fan. She was much more than just disco - the lady could really sing.
I love this song because it draws a picture of the nightlife on Sunset Boulevard in Los Angeles, CA. The lyrics are vivid giving us a glimpse of what you see on the boulevard with mention of some of the popular nightspots, Rainbow Bar & Grill (Rainbow Girls) and The Whiskey A Go-Go (Whiskey Man).
11. On The Radio (1979)
Parent Album: Foxes (Soundtrack)
After his successes with the soundtracks to the films "Midnight Express" and "American Gigolo," producer, composer, songwriter, musician Giorgio Moroder was commisioned to produce and compose the music for the teen coming of age film Foxes." Unlike his previous soundtracks this time he featured Donna Summer on one of the tracks, the opener, "On The Radio."
"On The Radio" starts off as a slow ballad than works it's way into an upbeat disco rhythm. This is a formula Donna successfully used on previous hits including "Last Dance," "MacArthur Park," "Enough Is Enough (No More Tears)," and "Dim All The Lights."
10. Heaven Knows (1978)
Parent Album: Live & More
One of Donna's biggest hits was a duet with the R&B, disco group Brooklyn Dreams. Her, then, boyfriend Bruce Sudano (married in 1980) was a member of Brooklyn Dreams. Joe "Bean" Esposito sang along with Donna on the song.
9. State of Independence (1982)
Parent Album: Donna Summer
Written by Jon Anderson (singer/songwriter from the band Yes) and Vangelis (Greek composer/musician) and was recorded for the 1982 Jon & Vangelis album "The Friends of Mr. Cairo." The song became better whrn Donna Summer recorded it in 1982. Her recording includes a great all-star chorus which includes; Lionel Richie, Dionne Warwick, Diana Ross, Michael Jackson, Brenda Russell, Christopher Cross, Dyan Cannon, James Ingram, Kenny Loggins, and Stevie Wonder.
8. Stamp Your Feet (2008)
Parent Album: Crayons
Donna's long awaited comeback and she's done it with a big wall of sound. Had "Stamp Your Feet" been released in her heyday the song would have definitely been a hit. The song would been the fihht anthem of it's day. The song is filled with terms of strength and confidence.
One of the song's co-writers is the popular child actress Danielle Brisebois. Danielle is best remembered for her role as Stephanie Mills in the 1970s sitcom All In The Family and than Archie Bunker's Place. She played the role from 1978 to 1983.
7. The Wanderer (1980)
Parent Album: The Wanderer
When I first heard this song I was floored. It quickly became my favorite Donna Summer song (at the time). Everything was there - excellent guitars, new wave style synth riffs, and an almost Elvis Presley effect in Donna's lead vocals.
The song burned up the dance floors of the world, the world, it was an instant favorite. People would excitedly flock to the dance floor upon hearing the opening rhythms of the song.
6. Love Is The Healer (1999)
Parent Album: Live & More: Encore
This was released 25 years after her first album and Donna was still as hot as she was from day one, I would argue - even better.
"Love Is The Healer," has a slight spritusl message to it, as do several of Donna's songs. She sings with Gospel strength, "Love is the healer, love is the healer, set me free."
This is one of Donna's most powerful and complex vocals of her entire career. It takes someone who really knows what they're doing to sing a song like this... and Donna succeeds on all levels.
5. MacArthur Park (1978)
Parent Album: Live & More
"MacArthur Park" is another complex vocal by Donna. She reaches the high notes to perfection with strong big voice and perfect pitch. While maintaining a deep warmth on the lower notes. Donna is the ultimate professional who never sounds like a product but instead infuses her own personality and brand of soul into every word she sings.
"MacArthur Park" was Donna's first #1 hit in the US and was the beginning of seven consecutive Top 5 hits. This was Donna's pinnacle. The song was also #1 in Canada and made into the Top 10 throughout all of Europe.
One of the most interesting aspects of the song is that producer Giorgio Moroder did a multi-track recording of his own voice to form the choir heard behind Donna's voice in the chorus.
4. Last Dance (1978)
Parent Album: Thank God It's Friday (Soundtrack)
As with any musician of Donna's stature, there are several songs that could be considered her signature song - "Hot Stuff, "I Feel Love," "Bad Girls," "Love To Love You Baby." But, if we had to narrow it down to one song, it would have to be "Last Dance."
The song is from the disco comedy musical film "Thank God It's Friday," in which Donna plays the role of Nicole Sims, an aspiring disco singer. In the film Donna performs "Last Dance."
"Last Dance" is probably" Donna's most awarded song. The song won two Grammy Awards, an Academy Award, a Golden Globe, and an American Music Award. "Last Dance" also made it to #1 on the US Hot Disco chart for six weeks and was Billboard's #1 Hot Disco song of the year. But, the biggest prize the song has won was being the last song played at every disco/dance club across the US from 1978 throughout the 1980s and even into this current day. Last call in a bar always meant you'd be hearing the sweet crooning voice of Donna Summer with the opening lines "Last dance, last dance for love. Yes, it's my last chance for romance tonight." After about a minute the songs blasts into the disco classic that still lives fresh in the minds of anyone that has been a fan of dance music.
3. Love Is In Control (Finger On The Trigger)(1982)
Parent Album: Donna Summer
Quincy Jones produced and co-wrote "Love Is In Control" an energy packed song that became one of Donna's biggest hits of the 1980s. The song also garnered a Grammy nomination for Female R&B Vocal Performance.
One of the song's highlights is James Ingram's expertly performed rapid fire rhytm vocal which works right into Howard Hewitt's (Shalamar) synthesized line, "You're Superbullet number one," that is one of the hottest vocal performances I have ever heard in my life.
Another highlight for me is the fact that Rod Temperton is one of the co-writers of the song. I am a big Rod Temperton fan beginning with his music with the 70s disco-funk band Heatwave (Boogie Nights, Always and Forever, The Groove Line) up to his vocal arrangements and songwriting ("Rock With You," "Off The Wall," "Thriller") for Michael Jackson to his works with others including Donna Summer.
2. Hot Stuff (1979)
Parent Album: Bad Girls
Wow! is what I thought when I first heard this song. If I wasn't already a diehard Donna Summer fan, this one did it for me. Other than Donna's scorching lead vocals it was the blistering guitar solo by Jeff Baxter that got me going with the song - that was some hot stuff. Jeff "Skunk" Baxter was a founding member of Steely Dan and played yhe guitar solo on "Rikki Don't Lose That Number." Baxter also played guitar with The Doobie Brothers and played the guitar solo on the hit single "Take Me In Your Arms." Therefore I bow to Jeff Baxter's guitar work!!!
"Hot Stuff" spent three non-consecutive weeks atop Billboard's Hot 100 Singles chart in the US as well as topping the charts in Austalia, Canada, Japan, and Switzerland.
"Hot Stuff" won the Grammy Award for Best Female Rock Vocal, which was the first year the award was given out.
1. I Feel Love (1977)
Parent Album: I Remember Yesterday
"I Feel Love" came to life on May 1, 1977 as the b-side of the R&B ballad "Can't We Just Sit Down (And Talk It Over). But within less than a two-month span "I Feel Love" caught on and radio disc jockeys began spinning the track. Casablanca execs moved pretty quick and reissued the single with "I Feel Love" as the A-Side.
"Love To Love You Baby" is the song that made Donna Summer a worldwide star, but it is "I Feel Love" that caught the attention of innovators in art and music. The Financial Times called it "one of the most influential records ever made," laying the foundations for Electronic Dance Music. Giorgio Moroder, who with Pete Bellotte produced the motorik electronic pulse of this classic commented, that the recording process was complex using different synthesizers and recording techniques. David Bowie, who was recording his Berlin Trilogy ("Heroes," "Low," "Lodger") at the time, said his collaborator Brian Eno "came running in and said, 'I have heard the sound of the future.'... he puts on "I Feel Love," by Donna Summer ... He said, 'This is it, look no further. This single is going to change the sound of club music for the next fifteen years.'
In my personal opinion I would beg to say that while Brian Eno was correct regarding "the sound of the future." I would have to say he was wrong in saying "I Feel Love," would change the sound of club music for the next 15 years. It is 43 years later and the influence, "I Feel Love," has on club music is still felt to this current day.
