This list is my fourth annual year end countdown. Here are the links to the previous countdowns:
2011: http://rock-music-more.blogspot.com/2011/12/rock-albums-post-x-15-favorite-albums.html
2012: http://rock-music-more.blogspot.com/2012/12/rock-albums-post-xii-favorite-albums-of.html
2013: http://rock-music-more.blogspot.com/2013/12/rock-albums-xiii-favorite-albums-2013.html
Favorite 15 Albums of 2014
15. Mando Diao - Aelita
Release Date: May 2, 2014
Record Label: Musica De La Santa
Album Chart Positions: #1 Sweden, #6 Netherlands, #8
Switzerland, #14 Austria
Singles: Black Saturday
Mando Diao is one of those
bands whose music is constantly evolving with new dimensions and layers of
sound, melody and rhythm. Each album they release is a new adventure to the
fans that listen. Mando Diao is a Swedish band that formed in 1999 and released
their first album in 2002. From their first album they achieved success
throughout much of Europe and since then have achieved worldwide acclaim. Mando Diao’s albums have been diverse
ranging from 2009’s “Give Me Fire” a straight forward alternative rock set with
fiery guitars and heavy rhythmic drums to 2012’s acoustic melancholic
“Infruset” completely sung in the Swedish language blends poetry and ballad to
the finest degree. Finally “Aelita” is Mando Diao’s most recent triumph of
experimentation in music.
“Aelita” showcases a fresh outlook for Mando Diao. The music is both melancholic and uplifting. Mando Diao produces a retro 80’s synth-pop new wave styled electronic dance album. The title “Aelita” was taken from the name of an old Russian synthesizer the band found in a second hand store in Sweden and is the basis for the sound of the album. The single “Black Saturday” is the album’s biggest hit single and one of Mando Daio’s biggest hits in their entire output of music. My favorite tracks from the album are “Romeo,” Black Saturday” and “Rooftop.”
“Aelita” showcases a fresh outlook for Mando Diao. The music is both melancholic and uplifting. Mando Diao produces a retro 80’s synth-pop new wave styled electronic dance album. The title “Aelita” was taken from the name of an old Russian synthesizer the band found in a second hand store in Sweden and is the basis for the sound of the album. The single “Black Saturday” is the album’s biggest hit single and one of Mando Daio’s biggest hits in their entire output of music. My favorite tracks from the album are “Romeo,” Black Saturday” and “Rooftop.”
Mando Diao - Black Saturday
14. Burnt Belief – Etymology
Release Date: October 21, 2014
Record Label: Alchemy Records
Album Chart Positions:
Singles:
Burnt Belief is a duo consisting of Bassist Colin Edwin and
guitarist Jon Durant. Colin Edwin is best known as the bass player for the
critically acclaimed prog-rock band Porcupine Tree and Jon Durant is the
founder of the record label alchemy Records. The duo first paired together for Durant’s 2011 album “Dance
of the Shadow Planets.” In 2012 they recorded their first album as a duo titled
“Burnt Belief.” 2014’s “Etymology” is a jazz fusion meets prog-rock album that brings
Burnt Belief full circle with a sound completely shaped and developed with
contributing factors perfectly meshed from both Edwin and Durant.”
Jon Durant’s lead guitar contains dreamscape impulses with
atmospheric ambient textures. Colin Edwin’s aggressive bass lines bring the
music to the forefront with metallic harmonic rhythms. Vinny Sabatino, Dean
McCormick and Jose Duque, a trio of fantastic drummers, and mulit-percussionist
Jerry Leake, accent the electronic mechanized synth beats with eclectic
movement. Jon Durant and Colin
Edwins were born to create music together. Their talents combined create the
perfect blend of dark ethos and electronic metal rhythms.
I do not have one favorite track on this album because this album was meant to be listened to as an entire entity. I give this one an A+ in every aspect of musicianship and creativity.
I do not have one favorite track on this album because this album was meant to be listened to as an entire entity. I give this one an A+ in every aspect of musicianship and creativity.
Etymology Trailer
Colin Edwin and Jon Durant (Burnt Belief)
13. Sharon Jones & The Dap-Kings – Give The People What
They Want
Release Date: January 14, 2014
Record Label: Daptone
Album Chart Positions: #22 US, #27 Belgium, #28 Netherlands,
#43 Canada, #47 Austria, #79 Germany, #116 France
Singles:
“Give The People What They Want” is the fifth studio album
released by Sharon Jones and The Dap-Kings and like their first four albums this
one reflects the true essence of classic soul music. In the current day soul
music is defined with synthesized beat box hip-hop beat and heavy bass rhythms.
Believe me I am not criticizing the current trend of hip-hop soul Sharon Jones
and The Dap-Kings have taken a different route and have decided to preserve the
tradition of soul music by extending and evolving the classic 60’s soul sound
with their own blend of horn heavy deep funk soul sounds. Sharon Jones’ vocals
are every bit as powerful and soulful as time honored songstresses such as
Aretha Franklin, Patti LaBelle and Chaka Khan. Listening to a Sharon Jones
album brings about reminiscences of those great 60’s and 70’s groups such as the Marvelettes,
Martha and the Vandellas, Diana Ross and The Supremes and Gladys Knight and The
Pips.
“Give The People What They Want” is a great soul party full of instant grooves that makes you moves. My favorite tracks are the upbeat “Stranger To My Happiness,” “You’ll Be Lonely,” which has a strong and dark funk back beat similar to the Temptations “Papa Was A rolling Stone” and the smooth groove “Slow Down Love.”
“Give The People What They Want” is a great soul party full of instant grooves that makes you moves. My favorite tracks are the upbeat “Stranger To My Happiness,” “You’ll Be Lonely,” which has a strong and dark funk back beat similar to the Temptations “Papa Was A rolling Stone” and the smooth groove “Slow Down Love.”
Sharon Jones & The Dap-Kings - Retreat!
12. Liam McKahey & The Bodies – Black Vinyl Heart
Release Date: Digital Release - Summer 2014, CD Release –
October 28, 2014
Record Label: Magna Republic
Album Chart Positions:
Singles:
Australian resident Liam McKahey first came to prominence in
2000 as the lead singer of the London based band Cousteau. The song “The Last
good Day Of The Year,” featuring Mckahey’s deep and dark vocals was featured in
television commercials, shows, films and documentaries and catapulted
Cousteau’s debut album to worldwide success.
Recorded in Australia during the early part of 2014 McKahey
released “Black Vinyl Heart,” his second album with The Bodies, a full five
years after the release of “Lonely Road,” first album. “Black Vinyl Heart” shows
a more fierce vocal approach from Mckahey than his past effort displaying a
growling sound in some of his songs. His vocal presentations are somewhere
between Johnny Cash meets David Bowie with a bit of a growl. The entire album
is solid and several of the songs include Spanish horns and Latin rhythms. My
favorite track is “Long Black Train” a great rhythmic rollicking rock tune with
which Johnny Cash would have been right at home.
Liam McKahey & The Bodies - Long Black Train (Live)
Liam McKahey & The The Bodies photo by Konrad Lenz
11. War - Evolutionary
Release Date: May 19, 2014
Record Label: Avenue Records, UMe, Universal
Album Chart Positions: #123 US, #37 US R&B/Hip-Hop, #19
US R&B
Singles: “That LA Sunshine”
The last time we saw a new album by War was in 1994 with the
album “Peace Sign.” Throughout the70’s War was one of the most loved bands of
the decade with classic soul-pop hits such as “Why Can’t We Be Friends?,” “Low
Rider,” “Cisco Kid,” “Summer,” “All Day Music” and “The World Is A Ghetto.”
They earned eleven gold and platinum albums. Their musical style was classified
as funk and soul with hints of jazz and pop.
After a 20-year hiatus War reformed with only one original
member Lonnie Jordan. The other members have been with the band from as early
as 1990 to as recent as 2011. “Evolutionary” was released as a two disc set,
the first disc is the new album and the second disc is a greatest hits
collection. A special three disc edition was released exclusively through Best
Buy including a DVD disc of War performing their great hits live.
“Evolutionary” has ended up being one of the surprise albums
of 2014. I wasn’t really expecting much from this. I originally bought it for
the remastered Greatest Hits disc but was more than pleasantly surprised when I
took a listen to the new music on disc one. “Mamacita” has a Latin/Reggae
appeal which is almost as affecting as their classics “East LA” or “Angel.” Joe
Walsh’s excellent guitar work and the brassy horn section by Tower of Power
make “Mamacita” a definite highlight of the album. The ballad “Just Like Us”
contains a somber harmonica performed by Stanley Behrens that is very
reminiscent of the master Lee Oskar.
“That LA Sunshine” is one of those feel good songs that just grooves
with a certain sort of sunny feel that is out of this world irresistible. The
album’s first single “That LA Sunshine” is a smooth jazz funk tune with an easy
breezy feel with some great chunky bass lines that power the song beyond
greatness. My personal favorite track is “Outer space” with it’s smooth groove
moves and a great lead vocal by Lonnie Jordan and some seamlessly perfect
harmony vocals gives the same feel as some of the great smooth grooves of the
70’s such as Bloodstone’s classic “Natural High” or The Dramatics’ “In The
Rain.”
War (band) - Outer Space
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War (band) Lonnie Jordan
10. Jackson Browne – Standing In The Breach
Release Date: October 7, 2014
Record Label: Inside Recordings
Album Chart Positions: #15 US, #28 Japan, #31 UK, #31
Scotland, #32 Netherlands, #43 Belgium, #70 Italy, #77 Ireland, #212 France, #22
United World Chart
Singles: “The Birds of St. Marks” #67 Japan
From the very first few seconds of hearing his voice on this
new album feelings of reminiscence swoop over my mind and take me back to an
era long gone. His voice is still the same as on those classic 70’s and 80’s
hits that I loved so much. Songs like “Doctor My Eyes,” “Stay,” “Here Come
Those Tears Again,” “Running On Empty,” “The Pretender” and “Somebody’s Baby”
all come rushing back to me. Jackson Browne was always known for quality and
message in his songs. His new album “Standing In The Breach” is no different.
This album brings him back to his roots and great music, meaningful lyrics and
some very fine acoustic guitar.
“Standing In The Breach” is a reflective album mirroring Browne’s thoughts and desires for a life of equality and peace in the world. “Walls and Doors” is Browne’s English language rendition of Carlos Varela’s “Las Paredas y Puertas” is tender ballad in which Browne reflects on those who want to unite and those who want to divide. The opening lyric tells it all, “Ever since the world’s beginning, there’s one thing that is certain, there are those who build walls and those who open doors.” “Which Side Are You On,” is a song Browne first debuted in 2011 during an Occupy Wall Street rally in 2011. Browne is direct in his political beliefs speaking about how the system is set up to benefit the wealthy and the most powerful in the world. He is completely upfront in his lyrics as he sings, “Take the money out of politics and maybe we might see this country turn back into something more like democracy.” That line really hit home. He sings these lyrics with a softly spoken conviction. My favorite song from the album is a lovely ballad called “Here.” The song opens ever so wistfully with a dreamy acoustic guitar as Browne sings these words of heartbreak and longing. Jackson Browne hits his stride with this album. This is his 14th studio album in a career that has spanned more then 40 years and he is right back on top making music that is just as affecting as his very best from his heyday of the 70’s. The songs are simple yet carry a lot of powerful emotion.
“Standing In The Breach” is a reflective album mirroring Browne’s thoughts and desires for a life of equality and peace in the world. “Walls and Doors” is Browne’s English language rendition of Carlos Varela’s “Las Paredas y Puertas” is tender ballad in which Browne reflects on those who want to unite and those who want to divide. The opening lyric tells it all, “Ever since the world’s beginning, there’s one thing that is certain, there are those who build walls and those who open doors.” “Which Side Are You On,” is a song Browne first debuted in 2011 during an Occupy Wall Street rally in 2011. Browne is direct in his political beliefs speaking about how the system is set up to benefit the wealthy and the most powerful in the world. He is completely upfront in his lyrics as he sings, “Take the money out of politics and maybe we might see this country turn back into something more like democracy.” That line really hit home. He sings these lyrics with a softly spoken conviction. My favorite song from the album is a lovely ballad called “Here.” The song opens ever so wistfully with a dreamy acoustic guitar as Browne sings these words of heartbreak and longing. Jackson Browne hits his stride with this album. This is his 14th studio album in a career that has spanned more then 40 years and he is right back on top making music that is just as affecting as his very best from his heyday of the 70’s. The songs are simple yet carry a lot of powerful emotion.
Jackson Browne - Here
9. U2 – Songs of Innocence
Release Date: September 9, 2014 (Digital release) October 13, 2014 (CD release)
Record Label: Interscope Records/Island
Album Chart Positions: #1 Croatia, Czechoslavakia, Holland,
France, Italy, Poland, Spain, #2 Austria, Germany, Greece, Ireland, Singapore,
South Korea (Deluxe Edition), Sweden, #3 Argentina, Japan, Switzerland, Denmark
#4 Scotland, #5 Canada, Israel, #6 New Zealand, Norway, South Korea (standard
release), UK, #7 Australia, Brazil, Estonia, #9 Iceland, US, #10 Finland, #12
Taiwan, #13 Hungary
Singles: “The Miracle (Of Joey Ramone)”
“Songs Of Innocence” was first released on iTunes as a free
download. Initially the album was made available to 500 million iTunes
customers and was downloaded 26 million times. This alone makes “Songs of
Innocence” one of the most popular albums of all-time. Though, what would be
the incentive to purchase the physical release of the album if 26 million
people have already downloaded the free edition from iTunes? The CD version was
released bundled with 10 additional tracks, including six acoustic versions and
four all-new songs. In it’s first week millions of people around the world
purchased the new U2 album, though in the major music markets such as the US,
Japan and UK sales suffered due to it’s digital release. In the US the album
peaked at #9, their lowest peak position for an album since 1984’s
“Unforgettable Fire,” which reached #14 in the US. In the UK the album made it
to #6 again their lowest charting UK album since 1981’s “October.” Was the free
download release a bad idea? The answer is yes and no. Yes, because it did hurt
sales and chart positions of the album. No, because it increased sales of their
back catalog by a huge amount. The sales U2 lost for their new album was more
than made up for by hugely increased sales of their older albums.
I first ventured into the album with caution. U2’s last five
studio albums fell short of their glory days of the 80’s. Their last truly
great album was 1991’s “Achtung Baby.” I wasn’t sure I would care much for the
album. I first attained “Songs of Innocence” as a free download from iTunes. I
listened to it once and was not all that impressed. Regardless, when the
physical CD was released I went out and bought it. Being an avid U2 fan since
1982 I had to get the deluxe edition. It was at this point that I realized what
a great album this was. I played it a few times and came to love it. Every song
is a U2 masterpiece. “Songs of Innocence” contains a personal feel to it. The
songs seem to tell a personal story and have a heart and soul that really grabs
you as you listen. It’s that heart and soul that had been missing from their
music over the past 20 years. “The Miracle (Of Joey Ramone)” is a great tribute
to the major influence that got Bono to start singing. Right from the start of
the song you feel like you’re being kicked right back into the early 80’s with
those great U2 harmonies and Bono sings his lyrics with a sense of meaning and
appreciation. In the song “Iris (Hold Me Close)” Bono remembers his mom who
died when he was 14. This song holds the same sort of intensity as “New Year’s
Day” or “Sunday Bloody Sunday” with a softer, still emotional edge. “California
There Is No End To Love” is my personal favorite. I love California and this
song is personal for me. The song has a nice mellow edge that makes me feel
good like lounging in the California sun. “Cedarwood Road” is the song that
packs to most emotional punch. It is aggressive with chunky guitar chords through
the song giving it a dark rock club sound. Bono’s vocals border on Tom Petty
meets Lou Reed as he conveys memories of his childhood residing on Cedarwood
Road. “I was looking for a soul that’s
real
then I ran into you.”
then I ran into you.”
U2 - The Miracle of Joey Ramone
8. alt-J – This Is All Yours
Record Label: Infectious
Album Chart Positions: #1 UK, #2 Australia, Belgium, Canada,
#3 Switzerland, #4 US, Ireland, #5 France, New Zealand, #6 Netherlands, #7 Denmark,
Austria, #8 Germany, #13 Norway, #24 Italy, #28 Hungary, #55 Sweden, #3 United
World Chart
Singles: “Hunger of The Pine,” “Left Hand Free,” “Every
Other Freckle”
Alt-J is a British rock band that formed in 2007 and has
achieved a good amount of success worldwide with two studio albums and several
singles. I bought this album on faith as I very much enjoyed their first album
2012’s “An Awesome Wave.” I realized this being only their second album that it
could be a letdown as many times a new band fails to live up to a great debut
album. This was not the case with alt-J, I was more than pleased with “This Is
All Yours.” The songs are highly textured with melancholy layers of music and
voice. Many of the songs for the album were written while they were on tour
promoting their first album “An Awesome Wave.” The majority of those written on
tour were actually written during their time in Nara, Japan.
The song “Hunger of The Pine” includes a sample of Miley Cyrus’ “4x4.” It samples the words "I'm a female rebel" from Miley's 2013 song "4x4". Thom Green, the band's drummer, had produced a remix of "4x4" for Cyrus, and incorporated the vocal sample into the song; according to lead singer Joe Newman, Cyrus was "cool" with the band using the sample and has been really supportive of the band, and she's a fan of alt-J. To be honest I thought I would never own anything with Miley Cyrus’ name on it, but this is the exception and I’m okay with that because alt-J is one exceptional band. For the most part the album is atmospheric and there’s a good amount of instrumental and poetry included. The album is mostly categorized as ambient pop or electronica. “Every Other Freckle” is a spacey tune with a strong rhythmic under current. “Left Hand Free” incorporates aspect of ghetto and electric percussive vibrations with awesome guitar licks. I am especially attracted to “The Gospel Of John Hurt,” as I am a huge fan of John Hurt, he is one phenomenal actor and I love the multi-textures and movements of the song. My favorite song from the album is the atmospheric “Choice Kingdom,” this song has elements of Pink Floyd meets Moby meets alt-J.
The song “Hunger of The Pine” includes a sample of Miley Cyrus’ “4x4.” It samples the words "I'm a female rebel" from Miley's 2013 song "4x4". Thom Green, the band's drummer, had produced a remix of "4x4" for Cyrus, and incorporated the vocal sample into the song; according to lead singer Joe Newman, Cyrus was "cool" with the band using the sample and has been really supportive of the band, and she's a fan of alt-J. To be honest I thought I would never own anything with Miley Cyrus’ name on it, but this is the exception and I’m okay with that because alt-J is one exceptional band. For the most part the album is atmospheric and there’s a good amount of instrumental and poetry included. The album is mostly categorized as ambient pop or electronica. “Every Other Freckle” is a spacey tune with a strong rhythmic under current. “Left Hand Free” incorporates aspect of ghetto and electric percussive vibrations with awesome guitar licks. I am especially attracted to “The Gospel Of John Hurt,” as I am a huge fan of John Hurt, he is one phenomenal actor and I love the multi-textures and movements of the song. My favorite song from the album is the atmospheric “Choice Kingdom,” this song has elements of Pink Floyd meets Moby meets alt-J.
alt-J - Left Hand Free
7. Neil Young – Storytone
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Release Date: November 4, 2014
Record Label: Reprise
Album Chart Positions: #6 Israel, #7 Norway, #11 Germany, #12
Croatia, #15 Austria, #18 Switzerland, Scotland, #19 Ireland, #20 Belgium, UK,
#21 Sweden, Hungary, #28 Holland, Finland, Netherlands, #33 US, Canada, #35
Italy, #42 Spain, #54 France, #55 Australia, #156 Japan, #23 World Chart
Singles: "Who's Gonna Stand Up"
Singles: "Who's Gonna Stand Up"
Since the year 2000 Neil Young has been extremely prolific
having released 22 albums including studio albums, live albums, compilations
and archival releases (13 of these releases were new studio albums). Why is he
recording so much in these past 15 years? Who knows, but I’m not complaining.
As a diehard Neil Young fan I love it. Each album is a masterpiece and “Storytone”
is one of his best in the past 20 years.
“Storytone” is Neil Young’s 35th studio album and
his second released in 2014. I bought this album immediately on the day it was
released. Though, I am partial to Young’s music “Storytone” is one of his best.
The songs are heartfelt and personal. Young is in good vocal shape (or anyway
for Neil Young). Of course (as with all my favorites) I purchased the deluxe
edition that includes the standard solo acoustic renditions of each song along with
orchestral and big band renditions of each song. It’s interesting listening to
different recordings of each song. I love the orchestral renditions of each
song as the orchestration is thrilling and at some points reminds me the
musicianship in the Beatles song “A Day In The Life.” The Big Band renditions
of the songs are fantastic. It’s great to hear Neil’s voice accompanied with a
little of the big band swing jazz style. Surprisingly (or maybe not) Neil’s
voice fits well with the varying musical styles featured on this album. In the song "Who's gonna Stand Up," Young shares his feelings about what we are doing to our planet. He shares his concern for the environment. In the song he sings, "who's gonna stand up and save the Earth," these lyrics are simplistic and straight forward, therefore there isn't any confusion of what he is singing. This song has quickly become an anthem for the anti-fracking community. I love
every song on this album; though “Tumbleweed,” “Say Hello To Chicago,” “Plastic
Flowers,” “ Glimmer” and “All Those Dreams” really capture me. “All Those
Dreams” is especially poignant with its essence of recounting a time of love
and life and beautiful times.
Neil Young - All Those Dreams
6. Billie Joe + Norah – Foreverly
Release Date: November 25, 2013
Record Label: Reprise
Album Chart Positions: #13 Iceland, #16 Switzerland, #19 US,
Canada, #20 Croatia, #29 Austria, #37 Ireland, #40 Denmark, #48 Italy, #59
Belgium, #62 Japan, Spain, #63 UK, #77 Germany, #80 Netherlands, #176 France,
#279 South Korea
Singles: "Long Time Gone"
Singles: "Long Time Gone"
On my year-end chart for 2013 this album was in the “worthy
mentions” list and I noted that there was a good possibility it would be on
this years list. “Foreverly” by Billie Joe Armstrong (Green Day) and Norah
Jones has stuck with me through the entire year of 2014. I am still listening
to this album on a regular basis. The music is pristine and the harmonies are
rich and stirring. Who would have thought Billie Joe and Norah would be such an
outstanding combination? Not me. Billie Joe impressed me with the fact that the
guy actually has a decent voice. Norah Jones’ silky tones are the perfect
opposite to Billie Joe’s ragged voice. As Stephen Thomas Erlewine from allmusic
said, “he gives her grit while she lends him grace.”
“Foreverly” is a reinterpretation of The Everly Brothers’ classic 1958 album “Songs Our Daddy Taught Us.” Billie Joe and Norah do a faithful re-creation of the original Everly Brothers album with hints and bits of today’s technology and instruments such as electric guitar added into the mix. The most surprising aspect of the album is pop-punk rocker Billie Joe Armstrong proves he’s right at home as a traditional country music crooner. The bulk of these songs are traditional folk tunes from the 1890’s through the 1930’s. The idea of working with Norah Jones came to Billie Joe way back in 2005 when he met her when they sang the Beatles song “Across The Universe” along with Stevie Wonder, Allison Krause, Bono, Steven Tyler (and others) for the 47th Grammy Awards show. Billie Joe stumbled upon the Everly Brothers albums years ago and became obsessed with it. He began listening to it every day and decided he wanted to do a remake of the album as he felt more people should know this music. His vision was to record the songs with a female vocalist and his wife suggested Norah Jones. The album has an especially personal touch as Norah and Billie Joe actually recorded these songs together inside the same vocal booth. This was very much a joint effort. The song “Long Time Gone” contains an infectious rollin’ bass rhythm that keeps the song movin’ along. “Rockin’ alone (In An Old Rockin’ Chair)” is an album highlight and is even more impressive with Norah Jones taking the lead giving it her smooth touch. My personal favorite on the album is “Kentucky” a nice flowing song with some nice understated guitar and keyboard parts.
“Foreverly” is a reinterpretation of The Everly Brothers’ classic 1958 album “Songs Our Daddy Taught Us.” Billie Joe and Norah do a faithful re-creation of the original Everly Brothers album with hints and bits of today’s technology and instruments such as electric guitar added into the mix. The most surprising aspect of the album is pop-punk rocker Billie Joe Armstrong proves he’s right at home as a traditional country music crooner. The bulk of these songs are traditional folk tunes from the 1890’s through the 1930’s. The idea of working with Norah Jones came to Billie Joe way back in 2005 when he met her when they sang the Beatles song “Across The Universe” along with Stevie Wonder, Allison Krause, Bono, Steven Tyler (and others) for the 47th Grammy Awards show. Billie Joe stumbled upon the Everly Brothers albums years ago and became obsessed with it. He began listening to it every day and decided he wanted to do a remake of the album as he felt more people should know this music. His vision was to record the songs with a female vocalist and his wife suggested Norah Jones. The album has an especially personal touch as Norah and Billie Joe actually recorded these songs together inside the same vocal booth. This was very much a joint effort. The song “Long Time Gone” contains an infectious rollin’ bass rhythm that keeps the song movin’ along. “Rockin’ alone (In An Old Rockin’ Chair)” is an album highlight and is even more impressive with Norah Jones taking the lead giving it her smooth touch. My personal favorite on the album is “Kentucky” a nice flowing song with some nice understated guitar and keyboard parts.
Billie Joe + Norah - Kentucky
5. Tom Petty & The Heartbreakers –
Hypnotic Eye
Record Label: Reprise, Warner Brothers
Album Chart Positions: #1 US, Canada, World, #5 Germany,
Denmark, #6 Israel, #7 UK, #8 Czechoslovakia, #11 Croatia, #13 Ireland, #14
Switzerland, Netherlands, #16 Norway, #17 Greece, #18 Austria, #23 Belgium, #30
Australia, #34 Spain, #36 Hungary, #39 Finland, #68 Italy, Japan, #156 France
Singles: “American Dream
Plan B,” “U Get Me High”
I have been buying Tom
Petty’s music consistently since 1979 when I first purchased his classic album
“Damn The Torpedoes” it was love from first listen. I now own all sixteen of
his studio albums (Petty solo and Petty with the heartbreakers). I love every
single one of them.
Petty and band began working on “Hypnotic Eye” back in 2011 and was finally completed three years later. Needless to say they took their time on this one and it is well worth it. The opening track “American Dream Plan B,” starts with an electronically enhanced lead vocal by Tom Petty that sounds great. The chunky guitar keeps the song moving. This is Petty’s ode to the dream, Petty is not giving up on that dream… and neither am I. Much of this album’s sounds and lyrical themes take Petty and his Heartbreakers back to their earliest days when they were new to the scene singing about the unrest of the day. Petty’s back at it again as in the song “Fault Lines” he speaks about broken promises and how he has faults of his own to deal with. Listening to this album really takes me back to the mid 70’s with its great guitar work and steady drum patterns. “Full Grown Boy” offers something a bit different from Petty’s other songs, it has bits of blues and early Supertramp type ballad sensibility such as in their song “Poor Boy,” and hints of Steely Dan styled keyboards. “Burnt Out town” is high on the blues and really rocks with some great harmonica parts and heavy guitar licks and tasty saloon type piano parts throughout. The closing track “Shadow People” gives reminisces upon earlier Petty tunes such as “Refugee” and “Breakdown” with a mellow sense of guitars and angst.
Petty and band began working on “Hypnotic Eye” back in 2011 and was finally completed three years later. Needless to say they took their time on this one and it is well worth it. The opening track “American Dream Plan B,” starts with an electronically enhanced lead vocal by Tom Petty that sounds great. The chunky guitar keeps the song moving. This is Petty’s ode to the dream, Petty is not giving up on that dream… and neither am I. Much of this album’s sounds and lyrical themes take Petty and his Heartbreakers back to their earliest days when they were new to the scene singing about the unrest of the day. Petty’s back at it again as in the song “Fault Lines” he speaks about broken promises and how he has faults of his own to deal with. Listening to this album really takes me back to the mid 70’s with its great guitar work and steady drum patterns. “Full Grown Boy” offers something a bit different from Petty’s other songs, it has bits of blues and early Supertramp type ballad sensibility such as in their song “Poor Boy,” and hints of Steely Dan styled keyboards. “Burnt Out town” is high on the blues and really rocks with some great harmonica parts and heavy guitar licks and tasty saloon type piano parts throughout. The closing track “Shadow People” gives reminisces upon earlier Petty tunes such as “Refugee” and “Breakdown” with a mellow sense of guitars and angst.
Tom Petty & The Heartbreakers - American Dream Plan B
Record Label: Virgin, Capitol
Album Chart Positions: #1 UK, #5 Ireland, #6 Belgium, Spain,
#9 Netherlands, #10 Australia, Norway, #11 US, #15 Switzerland, #17 Sweden, #19
Canada, #23 Germany, #28 New Zealand, #30 Portugal, #31 Austria, #33 Italy,
#103 France, #12 World (Chart Positions for Extended release “All This Bad
Blood” #19 New Zealand, #25 Denmark, #27 Finland, #37 Italy, #66 Switzerland)
Singles: “Pompeii,” “Laura Palmer,” “Things We Lost In The
Fire,” “Of The Night,” “Oblivion”
(This review is about the album "Bad Blood" by Bastille, although pictured above is the album "All This Bad Blood," which is the album "Bad Blood" with bonus tracks.)
Bastille is a British band formed in London in 2010. The
band derived its name from Bastille Day, which is celebrated on July 14th,
which is also the birthday of band founder Dan Smith. “Bad Blood” is their
debut studio album and has met with huge success worldwide. Bastille has sold
around 10 million records worldwide in just a year and nine months.
Upon first glance one would expect that Bastille is just
another boy band with generically sounding “American Idol” type perfect voices.
Though with the first listen of their album you quickly come to realize that
Bastille is so much more. Their songs are uniquely crafted; the vocal
arrangements contain wonderful variations of texture and resonance. But the
best part of Bastille is Dan Smith’s lead vocals. Dan sings in a pleasing and
distinctive style. He clearly pronounces all his words and he is adept at the
varying styles of songs on the album. His range is not broad or wide but he
sings with a nice timbre and an engaging vital soul that keeps each song alive. I
really like his accent. Each song
on this album is an experience. The songs are epic and contain layers of sound
and voices. Their songs are revealing and dark. The nature of these songs digs
into the grim and gloomy forbidding experiences of life. In the song “Things We
Lost In The Fire,” Dan Smith so prophetically sings, “Things we lost to the
flames, things we'll never see again. All that we've amassed sits before us,
shattered into ash” which sets the overall emotion of the album a loss of the
things we love. In the ballad “Oblivion,” Dan sings with a scorching soul that
gives the song much meaning. He sings into higher notes taking the song into a
center of oblivion that feels so smooth and reflective. As he sings these words
of introspection and questions the uncertainty of the future and the love he
wants to understand. "Flaws" is another such introspective song in which the lyrics speak of facing your flaws, digging them up and let them be counted. Daniel puts just the right amount of inflection as he
sings the songs on “Bad Blood,” I am looking forward to Bastille’s second album
because this debut album is so much more than just a collection of songs. It’s
an synth-driven experience of choral and chanting proportions; it’s a piece of
my heart.
“All This Bad Blood” is a two-disc extended edition of “Bad Blood” containing several songs from their EP’s “Other People’s Heartaches…” and “Haunt” and other previously unreleased tracks.
“All This Bad Blood” is a two-disc extended edition of “Bad Blood” containing several songs from their EP’s “Other People’s Heartaches…” and “Haunt” and other previously unreleased tracks.
Bastille - Oblivion
Daniel Smith (Bastille)
Bastille
Record Label: Third Man Records, XL Recordings, Columbia
Album Chart Positions: #1 US, Canada, Denmark, #2 Belgium, Greece,
New Zealand, Norway, Switzerland, World Chart, #3 Australia, #4 UK, Ireland,
Croatia, Israel, #5 Germany, Netherlands, Portugal, #7 Scotland, #8 Poland, #9
France, #13 Finland, #15 South Korea, #16 Japan, #21 Sweden, #26 Czechoslovakia,
Hong Kong, #28 Italy
Singles: “Lazaretto,” “Would You Fight For My Love?”
Jack White is back in town with his second solo album and
it’s a grab bag of sounds and fused genres. He blends a multitude of voices and
instruments to create this unique album, which cannot be categorized. He plays
around with fiddles, keyboards, organs, slide guitars, fuzz boxes and an array
of percussive instruments. Many of the songs lyrics are based on some short
stories and one act plays he wrote when he was 19 years old. Jack found the
writings in his attic one day and based some of his lyrics on them. The result
is a deeply thought provoking album of mystery, protection of one’s being, the
building of walls that shut others out and an exhibition of emotions, anger,
courage, disillusionment and attack. Many of the songs carry a modern blues
feel while others have a Led Zeppelin sort of country-rock appeal. The song
“Temporary Ground” most exemplifies the Led Zeppelin country-rock sound. The Zep
song “That’s The Way” comes to mind. “Would You Fight for My Love?” features
some great percussive rhythms in the opening working into some sparse keyboards
and distinctive vocal stylings by Jack White. “Alone In My Home” is one of the
album’s highlights opening with Elton John type piano keys blended with
thumping percussion and sparks of acoustic guitar. White sings, “I’m becoming a
ghost so nobody can know me,” in these lyrics Jack sings about building walls
up around his emotions. He speaks of “lost feelings of love” and how his
emotions have become calloused and jaded. My favorite track is “I Think I Found
The Culprit,” White uses imagery of two birds sitting silently looking at the
two crumbs of bread sitting on his window sill, to get his message across.
White speaks about the ironies of right and wrong. One does what is right the
other does wrong. In his story it’s the one who does wrong that is always under
pressure, maybe always looking back over his shoulder.
“Lazaretto” is one of the
biggest selling albums of 2014 having reached the Top 5 in more than 16
countries around the world. He recorded the album at the same time he was
producing Olivia Jean’s album “Bathtub Love Killers,” in which you can clearly
hear White’s influence. “Lazaretto” is album that leaves one with a great deal
of contemplation and reflection. It’s a thinking person’s album.
Jack White - I Think I Found The Culprit
Release Date: November 10, 2014
Record Label: Parlaphone, Columbia
Album Chart Positions: #1 UK, Austria, Canada, France,
Germany, Netherlands, New Zealand, Switzerland, Belgium, Croatia,
Czechoslovakia, Denmark, Ireland, Israel, Italy, Norway, Poland, Portugal,
Sweden, Turkey, #2 Russia, #3 US, Australia, Hungary, #4 Finland, Korea,
Estonia, Brazil, #5 Taiwan, South Korea, #6 Greece, Spain, #7 Japan, #1 World
Chart
Singles: “Louder Than Words”
“The Endless River” is quite possibly the biggest selling
album of 2014 throughout the world. The album reached #1 in more than 20
countries worldwide along with reaching the Top Five in another ten or more
countries. This album has been phenomenally successful.
The recordings from “The Endless River” are primarily from
the 1993 sessions of “The Division Bell,” with some re-recording and added
parts done in 2013-2014. The song “Autumn ‘68” features a recording of Richard
Wright playing the Royal Albert Hall’s organ in 1969. The album has been
described by Nick Mason as a tribute to Richard Wright, who died of cancer on
September 15, 2008. Predominantly an ambient and instrumental album the music
features the smoother introspective side of Pink Floyd. Derived from 20 hours
of music “The Endless River” is composed into four 14-minute movements in which
only one song contains a lead vocal, the final track “Louder Than Words” with
lyrics written by David Gilmour’s wife Polly Samson. Gilmour has said this is
the final Pink Floyd album.
The album is beautifully sonic featuring some of the most beautiful music to be released this year and to ever be recorded by Pink Floyd. It’s meant to be listened to as a whole and not as a collection of songs. “The Endless River” is a welcome and wonderful addition to the musical output of Pink Floyd. The wonderful aspects of Pink Floyd make their appearance throughout the album, Gilmour’s mesmerizing swirling guitar riffs, Wright’s dreamy synthesized keyboard parts and Mason’s ever-hypnotic percussive rhythms. My only wish is that Roger Waters would have been participated to give the album one more layer of introspection. As it is this is a great album and will find a place amongst my all-time favorites.
The album is beautifully sonic featuring some of the most beautiful music to be released this year and to ever be recorded by Pink Floyd. It’s meant to be listened to as a whole and not as a collection of songs. “The Endless River” is a welcome and wonderful addition to the musical output of Pink Floyd. The wonderful aspects of Pink Floyd make their appearance throughout the album, Gilmour’s mesmerizing swirling guitar riffs, Wright’s dreamy synthesized keyboard parts and Mason’s ever-hypnotic percussive rhythms. My only wish is that Roger Waters would have been participated to give the album one more layer of introspection. As it is this is a great album and will find a place amongst my all-time favorites.
Pink Floyd - Louder Than Words
1. Brian Eno & Karl Hyde – Someday World
Release Date: May 5, 2014
Record Label: Warp
Album Chart Positions: #46 UK, #72 Belgium, #86 Germany, #194 US
Singles: "Witness," “Daddy’s Car”
Brian Eno is one of the world’s most successful
producers/musicians. He has produced and/or recorded with some of the all-time
greats including Roxy Music, U2, Coldplay, Talking Heads, Devo, Jane Siberry,
David Bowie, Depeche Mode, Grace Jones and others. Eno also composed the
Microsoft sound for the Windows 95 project. The result was the six-second
start-up music-sound of the Windows 95 operating system.
Eno is also the world’s foremost innovator of ambient music.
Eno’s first foray into ambient music was in 1973 when he recorded the album “No
Pussyfooting” with King Crimson leader Robert Fripp. This album was largely a
collection of movements created from electronic tape delays. In 1975 he dabbled
a bit more with ambient sounds on his album “Antoher Green World” which also
featured his standard rock compositions. Finally later in 1975 he released “Discreet
Music,” which was his first of 20 or more ambient albums.
“Someday World” got its start when Eno invited Karl Hyde to
listen to a series of compositions he never finished. These compositions never
got any further than intros. Together Eno and Hyde worked these intros into
full-length songs, some rock songs with vocals and other ambient type pieces.
Eno employed 22 year old unknown, Fred Gibson to co-produce the album. Eno must
have been looking for a fresh untapped vision for the album in Gibson. Eno
invited many of his friends to participate in the album; Roxy Music’s Andy
Mackay and Will Champion from Coldplay were both prominently featured. Eno’s
daughter Darla added her voice to the mix.
The album is heavy in beats and rhythms with its share of ambient
electronicities (I like making up new words). The song “Daddy’s Car,” features
an Afro-funk rhythm, which is reminiscent of Eno’s work with Talking Heads on their
classic 1980 album “Remain In Light.”
Many of the songs on “Someday World” incorporate sounds and rhythms used
in the many genres of African music such as Juju music. There is a nice array
of bass lines, horns, organs and keyboards mixed with ethereal synthesized
accents and tones. It’s easy to get lost in the many layers and depths of the
music. Beyond the Afro sounds there are other influences including Middle
Eastern, Ambient, euro-pop, electronic and jazz-rock.
Like many of the albums on this countdown, “Someday World” is
meant to be listened to as a whole, though I am quite partial to the track “The
Satellites.” Critics have been split on this album with some giving it lukewarm
reviews while other giving it high praise. I am of the latter and include this
album as one of my all-time favorites.
Eno • Hyde - The Satellites
Brian Eno & Karl Hyde
The following albums get a worthy mention:
Talking Is Hard by Walk The Moon
Forever For Now by LP
Forever Robots by Damon Albarn
Nostalgia by Annie Lennox
Three Hearts by Alex Clare
La Isla Bonita by Deerhoof
Ixora by Copeland
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